Just a novelist
Radclyffe Hall’s 1928 novel about love between women is almost a curiosity today, little read and even less understood. Her sixth novel, following Adam’s Breed, for which she had won … Continue reading
Going the extra foot
The widely held belief that Shakespeare wrote in iambic pentameters is based on a misunderstanding, the result of a misguided attempt on the part of literary scholars to apply the … Continue reading
It was the best of Dickens, it was the worst of Dickens
As no lady or gentleman, with any claims to polite breeding, can possibly sympathise with the Chuzzlewit Family without being first assured of the extreme antiquity of the race, it … Continue reading
One man and his music
I had forgotten, until I heard it on the radio yesterday, that 5 December 2017 was the tenth anniversary of the death of the composer Karlheinz Stockhausen, which means that it … Continue reading
Was Shakespeare a socialist?
The question has been asked before. Like the question I asked in another essay, Was Shakespeare a Catholic? it is impossible to answer. All I could say about that was … Continue reading
Lear’s Fool
Feste, the Fool (or Clown) in Twelfth Night, turns up in Act I after an unexplained absence. ‘Nay,’ Maria says to him, ‘either tell me where thou hast been, or … Continue reading
The comedy of Troilus and Cressida
Troilus and Cressida is sometimes thought of as one of Shakespeare’s Problem Plays, but I think of it as a comedy. Not a romantic comedy, like A Midsummer Night’s Dream … Continue reading
Macbeth and me
Shakespeare’s Macbeth is as much poem as play. The essence of the drama is not in the action but in the words and in the unfolding of metaphor. It begins … Continue reading
Shakespeare’s girls
Shakespeare’s girls have grown up too quickly. Juliet was only thirteen in 1595 when Romeo and Juliet was written. ‘She hath not seen the change of fourteen years,’ Capulet tells … Continue reading
Hamlet, a post-Reformation tragedy
Francisco, an ‘honest soldier’, has only eight lines, but he sets the tone for the whole play when he says, in Act I, scene 1 of Hamlet, that he is … Continue reading
